Artworks

  • Abelardo Morell, After Hitchcock: Psycho. House. Tent-Camera Image, 2018, 2018
    Abelardo Morell
    After Hitchcock: Psycho. House. Tent-Camera Image, 2018, 2018
    Pigmented ink on Canson Platine
    Image: 30 x 40 inches; Sheet: 38 x 48 inches
    Edition of 10
    In the collection of the Los Angeles County Museum of Art (LACMA).
  • Adam Rabinowitz, Genesis Machine, 2009
    Adam Rabinowitz
    Genesis Machine, 2009
    Two-way surface coated mirror, wood, LED lighting, paper-mâché, fabric, paint and plaster
    38 x 38 x 20-1/2 inches
    Edition of 3
    SOLD OUT
  • Alexandra Grant, I Contain Multitudes (from Letters from Century of Self), 2014
    Alexandra Grant
    I Contain Multitudes (from Letters from Century of Self), 2014
    Pigmented ink print
    9 x 6 inches
    Edition of 150
    Published by Inner-City Arts, Los Angeles
    Printed by The Lapis Press
  • Alexandra Grant, I Is Another (from Letters from Century of Self), 2014
    Alexandra Grant
    I Is Another (from Letters from Century of Self), 2014
    Pigmented ink print
    9 x 6 inches
    Edition of 150 plus 1 artist's proof
    Published by Inner-City Arts, Los Angeles
    Printed by The Lapis Press
  • Alexandra Grant, I Was Born To Love (From Letters of Century of Self), 2014
    Alexandra Grant
    I Was Born To Love (From Letters of Century of Self), 2014
    Pigmented ink print
    9 x 6 inches
    Edition of 150
    Published by Inner-City Arts, Los Angeles
    Printed by The Lapis Press
  • Alexandra Grant, Shadow (1), after Keanu Reeves's "And I knew I was done and you were gone forever", 2014
    Alexandra Grant
    Shadow (1), after Keanu Reeves's "And I knew I was done and you were gone forever", 2014
    Pigmented ink on paper
    22 x 17 inches
    Edition of 3 plus 2 artist's proofs
  • Alexandra Grant, Shadow (10), after Keanu Reeves's "It all might be in front of you”, 2014
    Alexandra Grant
    Shadow (10), after Keanu Reeves's "It all might be in front of you”, 2014
    Printed ink on paper
    17 x 22 inches
    Edition of 3 plus 2 artist's proofs
  • Alexandra Grant, Shadow (2), after Keanu Reeves's "You better look I may not be there tomorrow", 2014
    Alexandra Grant
    Shadow (2), after Keanu Reeves's "You better look I may not be there tomorrow", 2014
    Pigmented ink on paper
    22 x 17 inches
    Edition of 3 plus 2 artist's proofs
    SOLD OUT
  • Alexandra Grant, Shadow (3), after Keanu Reeves's "Me and my shadow and it still doesn't help”, 2014
    Alexandra Grant
    Shadow (3), after Keanu Reeves's "Me and my shadow and it still doesn't help”, 2014
    Printed ink on paper
    22 x 17 inches
    Edition of 3 plus 2 artist's proofs
  • Alexandra Grant, Shadow (4), after Keanu Reeves's, "We all need something even if we don't”, 2014
    Alexandra Grant
    Shadow (4), after Keanu Reeves's, "We all need something even if we don't”, 2014
    Printed ink on paper
    22 x 17 inches
    Edition of 3 plus 2 artist's proofs
  • Alexandra Grant, Shadow (5), after Keanu Reeves's "And you couldn't hold me in that way all things hoped”, 2014
    Alexandra Grant
    Shadow (5), after Keanu Reeves's "And you couldn't hold me in that way all things hoped”, 2014
    Printed ink on paper
    22 x 17 inches
    Edition of 3 plus 2 artist's proofs
  • Alexandra Grant, Shadow (6), after Keanu Reeves's "Playing shadow games”, 2014
    Alexandra Grant
    Shadow (6), after Keanu Reeves's "Playing shadow games”, 2014
    Printed ink on paper
    17 x 22 inches
    Edition of 3 plus 2 artist's proofs
  • Alexandra Grant, Shadow (7), after Keanu Reeves's "Cut me down stand me up throw me just like you want”, 2014
    Alexandra Grant
    Shadow (7), after Keanu Reeves's "Cut me down stand me up throw me just like you want”, 2014
    Printed ink on paper
    17 x 22 inches
    Edition of 3 plus 2 artist's proofs
  • Alexandra Grant, Shadow (8), after Keanu Reeves's "You can run but you can't hide”, 2014
    Alexandra Grant
    Shadow (8), after Keanu Reeves's "You can run but you can't hide”, 2014
    Printed ink on paper
    17 x 22 inches
    Edition of 3 plus 2 artist's proofs
  • Alexandra Grant, Shadow (9), after Keanu Reeves's "It shows us how amazingly impossible it is”, 2014
    Alexandra Grant
    Shadow (9), after Keanu Reeves's "It shows us how amazingly impossible it is”, 2014
    Printed ink on paper
    17 x 22 inches
    Edition of 3 plus 2 artist's proofs
  • Alexandra Grant, To Thine Own Self (from Letters from Century of Self), 2014
    Alexandra Grant
    To Thine Own Self (from Letters from Century of Self), 2014
    Pigmented ink print
    9 x 6 inches
    Edition of 150
    Published by Inner-City Arts, Los Angeles
    Printed by The Lapis Press
  • Alexandra Grant, I see my self in you, 2013
    Alexandra Grant
    I see my self in you, 2013
    Coated glass tubing, argon gas, transformer and mirror
    51 x 16 x 2 inches
    Edition of 3
    A portion of the proceeds from this edition benefit the Los Angeles Nomadic Division (LAND)
    SOLD OUT
  • Alexandra Grant, Wallpaper (la escalera al cielo), 2008
    Alexandra Grant
    Wallpaper (la escalera al cielo), 2008
    Inkjet on wallpaper
    Dimensions variable
    Edition of 10
  • Alexandra Grant, ¿dónde está la escalera al cielo?, 2007
    Alexandra Grant
    ¿dónde está la escalera al cielo?, 2007
    Standard American coated glass, Argon gas and transformer
    55 x 19 inches
    Edition of 7 plus 2 artist's proofs
    SOLD OUT
  • Alexis Smith, Paths to the House, 2018
    Alexis Smith
    Paths to the House, 2018
    Series of 5 pigmented ink prints on paper
    30 x 19-1/2 (each)
    Edition of 1
  • Alexis Smith, Alexis Smith Playing Cards Made in U.S.A., 2017
    Alexis Smith
    Alexis Smith Playing Cards Made in U.S.A., 2017
    Pigmented ink on paper
    26-1/8 x 20-3/8 inches
    Edition of 20
  • Alexis Smith, Chandlerism #172, 2014
    Alexis Smith
    Chandlerism #172, 2014
    Pigmented ink print on paper
    26 x 17-3/8 inches
    Edition of 20 plus 3 artist's proofs
    In the collections of Los Angeles County Museum of Los Angeles; UCLA Grunwald Center for the Graphic Arts; JPMorganChase, New York Art collection; Martha Tamburrano Episcopal Communities & Services: Monte Cedro collection
    SOLD OUT
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. III of 10 unique works
    No. III
    Signed and dated in pencil at lower right, and Roman numeral III in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. II of 10 unique works
    No. II
    Signed and dated in pencil at lower right, and Roman numeral II in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. IV of 10 unique works
    No. IV
    Signed and dated in pencil at lower right, and Roman numeral IV in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. V of 10 unique works
    No. V
    Signed and dated in pencil at lower right, and Roman numeral V in pencil at lower left.

    SOLD
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VI of 10 unique works
    No. VI
    Signed and dated in pencil at lower right, and Roman numeral VI in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. III of 10 unique works
    No. III
    Signed and dated in pencil at lower right, and Roman numeral III in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VII of 10 unique works
    No. VII
    Signed and dated in pencil at lower right, and Roman numeral VII in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VIII of 10 unique works
    No. VIII
    Signed and dated in pencil at lower right, and Roman numeral VIII in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. IX of 10 unique works
    No. IX, SOLD
    Signed and dated in pencil at lower right, and Roman numeral IX in pencil at lower left.

  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. X of 10 unique works
    No. X
    Signed and dated in pencil at lower right, and Roman numeral X in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. I of 10 unique works
    No. I
    Signed and dated in pencil at lower right, and Roman numeral I in pencil at lower left.
    SOLD
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. IV of 10 unique works
    No. IV
    Signed and dated in pencil at lower right, and Roman numeral IV in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. II of 10 unique works
    No. II
    Signed and dated in pencil at lower right, and Roman numeral II in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. III of 10 unique works
    No. III
    Signed and dated in pencil at lower right, and Roman numeral III in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VI of 10 unique works
    No. VI
    Signed and dated in pencil at lower right, and Roman numeral VI in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. V of 10 unique works
    No. V
    Signed and dated in pencil at lower right, and Roman numeral V in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. I of 10 unique works
    No. I
    Signed and dated in pencil at lower right, and Roman numeral I in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VII of 10 unique works
    No. VII
    Signed and dated in pencil at lower right, and Roman numeral VII in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. X of 10 unique works
    No. X
    Signed and dated in pencil at lower right, and Roman numeral X in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. IX of 10 unique works
    No. IX
    Signed and dated in pencil at lower right, and Roman numeral IX in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VIII of 10 unique works
    No. VIII
    Signed and dated in pencil at lower right, and Roman numeral VIII in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. II of 10 unique works
    No. II
    Signed and dated in pencil at lower right, and Roman numeral II in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. IV of 10 unique works
    No. IV
    Signed and dated in pencil at lower right, and Roman numeral IV in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. V of 10 unique works
    No. V
    Signed and dated in pencil at lower right, and Roman numeral V in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VI of 10 unique works
    No. VI
    Signed and dated in pencil at lower right, and Roman numeral VI in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VIII of 10 unique works
    No. VIII
    Signed and dated in pencil at lower right, and Roman numeral VIII in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. X of 10 unique works
    No. X, SOLD
    Signed and dated in pencil at lower right, and Roman numeral X in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. IX of 10 unique works
    No. IX
    Signed and dated in pencil at lower right, and Roman numeral IX in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VII of 10 unique works
    No. VII
    Signed and dated in pencil at lower right, and Roman numeral VII in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. I of 10 unique works
    No. I, SOLD
    Signed and dated in pencil at lower right, and Roman numeral I in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. V of 10 unique works
    No. V
    Signed and dated in pencil at lower right, and Roman numeral V in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. II of 10 unique works
    No. II
    Signed and dated in pencil at lower right, and Roman numeral II in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. IV of 10 unique works
    No. IV
    Signed and dated in pencil at lower right, and Roman numeral IV in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VI of 10 unique works
    No. VI
    Signed and dated in pencil at lower right, and Roman numeral VI in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. III of 10 unique works
    No. III
    Signed and dated in pencil at lower right, and Roman numeral III in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. IX, Edition of 10 unique works
    No. IX
    Signed and dated in pencil at lower right, and Roman numeral VIII in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VIII of 10 unique works
    No. VIII
    Signed and dated in pencil at lower right, and Roman numeral VIII in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. X of 10 unique works
    No. X
    Signed and dated in pencil at lower right, and Roman numeral X in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. VII of 10 unique works
    No. VII
    Signed and dated in pencil at lower right, and Roman numeral VII in pencil at lower left.
  • Analia Saban, Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Analia Saban
    Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020
    Pigmented ink monoprint on Belgian linen and acrylic paint
    40.25 x 29.5 inches (linen)
    No. I of 10 unique works
    No. I
    Signed and dated in pencil at lower right, and Roman numeral I in pencil at lower left.
  • Analia Saban, Linen Canvas with Rupture on Acrylic Paint, 2015
    Analia Saban
    Linen Canvas with Rupture on Acrylic Paint, 2015
    Pigmented ink print on acrylic paint
    25 × 19 × 2 inches
    SOLD OUT
    Edition of 18 plus 5 artist's proofs
    In the collections of Maurice Marciano Trust, JP Morgan Chase Art Collection and Los Angeles County Museum of Art
  • Anish Kapoor, Untitled (triptych), 2001
    Anish Kapoor
    Untitled (triptych), 2001
    Etching
    Image: 11 3/4 x 12 1/2 inches, each
    Sheet: 24 x 21 5/8 inches, each
    Edition of 18
    In the collection of the Des Moines Art Center and the Fine Arts Museums of San Francisco.
    SOLD OUT
  • Betye Saar, A Handful of Stars, 2016
    Betye Saar
    A Handful of Stars, 2016
    Bronze with patina and walnut base
    7 x 3 x 2.5 inches
    Edition of 18 plus 5 artist's proofs
    In the collection of the Sheldon Art Museum, Nebraska, The International Sculpture Center, New Jersey, and the Los Angeles County Museum of Art (LACMA).

    SOLD OUT

    SOLD OUT
  • Calida Rawles, The Space in Which We Travel, 2021
    Calida Rawles
    The Space in Which We Travel, 2021
    Archival pigment print on paper
    21 x 36 inches
    Edition of 40 plus 5 artist's proofs
    Published by The Los Angeles County Museum of Art (LACMA) as a benefit edition
    Produced by The Lapis Press
  • Christopher Wool, Untitled, 1998
    Christopher Wool
    Untitled, 1998
    Soft ground etching
    Image: 15 7/8 x 11 7/8 inches
    Sheet: 25 x 20 inches
    Edition of 45 plus 8 artist's proofs
    In the collection of the Museum of Modern Art, New York;
  • Christopher Wool, Untitled (Triptych), 1998
    Christopher Wool
    Untitled (Triptych), 1998
    Soft ground etching
    Overall: 25 x 60 inches
    Each Sheet: 25 x 20 inches
    Each Image: 15 7/8 x 11 3/4 inches
    Edition of 30 plus 9 artist's proofs
    In the collection of the Nelson-Atkins Museum of Art, Missouri; Indianapolis Museum of Art at Newfields, Indiana; Museum of Modern Art, New York; and Fine Arts Museums of San Francisco.
  • Daido Moriyama, Classic Daido, 2023
    Daido Moriyama
    Classic Daido, 2023
    Portfolio of 12 archival pigment prints on paper
    13.25 x 19.75 inches (each)
    Edition of 10 plus 3 artist's proofs
    Signed and editioned on verso
  • Daido Moriyama, Color , 2017
    Daido Moriyama
    Color , 2017
    Handmade portfolio of 8 pigmented ink prints, Epson Ultra Chrome K3 ink on Canson Baryta Photographique 310gsm paper
    Each print 12-3/4 x 18-1/2 inches
    Edition of 10 plus 4 artist's proofs
  • Daido Moriyama, Miyajima, 1973, 2016
    Daido Moriyama
    Miyajima, 1973, 2016
    Pigmented ink on paper
    24 x 23-5/8 inches
    Edition of 10 plus 4 artist's proofs
    Signed, titled and numbered on label
  • Daido Moriyama, L.A. Noir, 2014
    Daido Moriyama
    L.A. Noir, 2014
    Handmade portfolio of 8 pigmented ink prints, Epson UltraChrome K3 ink on Museo Max 365 gsm paper
    Each print: 14 x 18-1/2 inches
    Portfolio: 15-1/2 x 20 inches
    Edition of 10 plus 4 artist's proofs
    Signed and dated on verso.
    #10: single print from edition (staircase image)
  • Daido Moriyama, L.A. Noir, Staircase (single print), 2014
    Daido Moriyama
    L.A. Noir, Staircase (single print), 2014
    Archival pigmented ink print
    14 x 18-1/2 inches
    Edition of 10
    Single print from edition #10
    Signed and dated on verso
  • Dario Escobar, Sin título, 2016
    Dario Escobar
    Sin título, 2016
    Wood, urethane, and gold-plated steel
    36 x 8 1/4 x 4 inches
    Edition of 18
    Signed, dated and numbered.

    In the collection of the Los Angeles County Museum of Art.
  • David Reed, Untitled, 2001
    David Reed
    Untitled, 2001
    Etching, aquatint, and chine collé
    18 1/4 x 63 3/4 inches
    Edition of 30 plus 1 artist's proof
    SOLD OUT
  • David Reed, Untitled, 2001
    David Reed
    Untitled, 2001
    Etching, aquatint, and chine collé
    18 1/4 x 63 3/4 inches
    Edition of 30 plus 1 artist's proof
  • David Reed, Untitled, 2001
    David Reed
    Untitled, 2001
    Etching, aquatint, and chine collé
    18 1/4 x 63 3/4 inches
    Edition of 30 plus 1 artist's proof
  • Didier Vermeiren, Lenticular Photographs, Los Angeles Studio, 2008, 2008
    Didier Vermeiren
    Lenticular Photographs, Los Angeles Studio, 2008, 2008
    Diptych UltraChrome print, 3D lenticular lens, walnut frame
    19 3/4 x 24 x 4 inches, each
    Edition of 15 plus 5 artist's proofs
    In the collections of Los Angeles County Museum of Art and UCLA Grunwald Center for the Graphic Arts
  • Dr. Lakra, Doktor Lakra’s Lexikon, 2010
    Dr. Lakra
    Doktor Lakra’s Lexikon, 2010
    Cast and hand etched objects in a leather box
    Box is 10-5/8 x 13-1/4 x 3-3/4 inches
    Edition of 10 plus 2 artist's proofs
    In the collection of the Los Angeles County Museum of Art (LACMA).
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