Transcending Pigment from Paint to Canvas, from Canvas to Paint is an edition of 40 unique, mixed-media mono prints in which Saban continues to test the limits of printmaking. Each print is a work without paper. Similar to Saban's previous collaboration with The Lapis Press, this edition uses layered, acrylic paint as a substitute for paper, but takes the process one step further by printing on paint as well as Belgian linen.
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Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. II of 10 unique worksNo. II
Signed and dated in pencil at lower right, and Roman numeral II in pencil at lower left.
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Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. IV of 10 unique worksNo. IV
Signed and dated in pencil at lower right, and Roman numeral IV in pencil at lower left.
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Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Black and White), 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. VIII of 10 unique worksNo. VIII
Signed and dated in pencil at lower right, and Roman numeral VIII in pencil at lower left.
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Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. IV of 10 unique worksNo. IV
Signed and dated in pencil at lower right, and Roman numeral IV in pencil at lower left.
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Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. VI of 10 unique worksNo. VI
Signed and dated in pencil at lower right, and Roman numeral VI in pencil at lower left.
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Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. X of 10 unique worksNo. X
Signed and dated in pencil at lower right, and Roman numeral X in pencil at lower left.
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Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. II of 10 unique worksNo. II
Signed and dated in pencil at lower right, and Roman numeral II in pencil at lower left. -
Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. VI of 10 unique worksNo. VI
Signed and dated in pencil at lower right, and Roman numeral VI in pencil at lower left. -
Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Color) #2, 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. IX of 10 unique worksNo. IX
Signed and dated in pencil at lower right, and Roman numeral IX in pencil at lower left. -
Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. V of 10 unique worksNo. V
Signed and dated in pencil at lower right, and Roman numeral V in pencil at lower left.
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Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. IV of 10 unique worksNo. IV
Signed and dated in pencil at lower right, and Roman numeral IV in pencil at lower left.
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Analia SabanTranscending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, 2020Pigmented ink monoprint on Belgian linen and acrylic paint40.25 x 29.5 inches (linen)No. X of 10 unique worksNo. X
Signed and dated in pencil at lower right, and Roman numeral X in pencil at lower left.
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Analia Saban signing one of her prints in The Lapis Press studio.
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A Work Without Paper
Analia Saban's work blurs the distinctions between mediums, employing various elements of painting, sculpture, photography, printmaking, and architecture in a way that deconstructs and revisualizes the very process of art-making. In this series, layered acrylic paint is used as a substitute for paper. The paint sheet is then fed through the printer where pigment is directly applied, creating a work without paper.
