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Matthew BrandtBox, Ri 12 M13 Hercules.tif, 2019Pigmented ink on paper34 x 32.25 inchesEdition of 5 plus 1 artist's proofSigned on label on verso -
Matthew BrandtBox, Ri 130x NGC 7331 Pegasi.tif, 2019Pigmented ink on paper34 x 26.5 inchesEdition of 5 -
Matthew BrandtBox, SN1987A-4420-sm.tif, 2019Pigmented ink on paper34 x 21 inchesEdition of 5 plus 1 artist's proof -
Matthew Brandt2015-08-28-LP4, 2016Watercolor, iodine, hand sanitizer, ultrasound gel, hydrogen peroxide, lubricating jelly, acetic acid on metallic inkjet print18 x 22 inchesEdition of 20 plus 5 artist's proofsPublished by The Lapis Press, to benefit the Venice Family Clinic.
Signed, numbered and dated verso.
In the collection of the Los Angeles County Museum of Art. -
Mona KuhnAcido Dorado: Illusions, 2014Pigmented ink on metallic paperLeft panel - 21 x 15-3/4 inches
Center panel - 21 x 28 inches
Right panel - 21 x 15-3/4 inchesEdition of 8 plus 4 artist's proofs -
Niki de Saint PhalleUntitled, 2001Etching, aquatint, hand coloring19 x 16 inchesEdition of 40 plus 10 artist's proofsSOLD OUT -
Niki de Saint PhalleBuddha/Nature, 2000Etching, aquatint, hand coloring17 x 18 inchesEdition of 40Published by Galerie Kornfeld, printed by The Lapis Press
SOLD OUT -
Niki de Saint PhalleLa Reine, 1999Etching, aquatint, hand coloring14 x 12 inchesEdition of 40 plus 10 artist's proofsPublished by Galerie Kornfeld, printed by The Lapis Press
SOLD OUT -
Niki de Saint PhalleLooking, Eye Contact, 1999Etching, aquatint, hand coloring14 x 12 inchesEdition of 40 plus 10 artist's proofsSOLD OUT -
Niki de Saint PhalleSnake Lady (Dream of Springtime), 1999Etching, aquatint, hand coloring14 x 12 inchesEdition of 40 plus 10 artist's proofsPublished by Galerie Kornfeld, printed by The Lapis Press
SOLD OUT -
Niki de Saint PhalleThe Lovers, 1999Etching, aquatint, hand coloring19 x 16 inchesEdition of 40 plus 10 artist's proofsPublished by Galerie Kornfeld, printed by The Lapis Press
SOLD OUT -
Niki de Saint Phalle& Goliath, 1998Etching, aquatint, hand coloring14 x 12 inchesEdition of 40 plus 10 artist's proofsPublished by Galerie Kornfeld, printed by The Lapis Press
SOLD OUT -
Niki de Saint PhalleLe Cirque (Dancing Animals), 1998Etching, aquatint, hand coloring14 x 12 inchesEdition of 40 plus 10 artist's proofsPublished by Galerie Kornfeld, printed by The Lapis Press
SOLD OUT -
Niki de Saint PhallePsychedelic Brain Dream, 1998Etching, aquatint, hand coloring14 x 12 inchesEdition of 40 plus 10 artist's proofsSOLD OUT -
Niki de Saint PhalleThe Aeiou (The Blue Bird), 1998Etching, aquatint, hand coloring14 x 12 inchesEdition of 40 plus 10 artist's proofsPublished by Galerie Kornfeld, printed by The Lapis Press
SOLD OUT -
Niki de Saint PhalleThe Clown (The Joker), 1998Etching, aquatint, hand coloring14 x 12 inchesEdition of 40SOLD OUT -
Rebecca HornUntitled , 1998Soft ground etching and chine collé19 x 16 inchesEdition of 30 plus 9 artist's proofsSigned, dated and numbered -
Rebecca HornUntitled Diptych, 1998Soft ground etching and chine collé19 x 32 inches, eachEdition of 30 -
Rebecca HornUntitled Diptych, 1998Soft ground etching and chine collé24 x 38 inchesEdition of 30 plus 12 artist's proofsSigned on right panel
Dated on right panel 1998
Numbered on both panels -
Richard LongNile. Paper of River Muds, 1990Hardcover, paper wrappers with printed slipcase; unpaginated 46 pages, paper pulp, mud, colored pencil, graphite, ink; including promotional print in a Paper from Nile mud slipcase with red lettering.14-3/4 x 12 inches
12 x 9 inches (print)Edition of 88Signed by the artist -
Richard LongDust Dobros Desert Flowers, 1987Hardbound book of seven etchings with earth pigments and 45 RPM record in a slip case12-1/4 x 12-1/4 x 1/4 inchesEdition of 35In the collection of the Fine Arts Museum of San Francisco; the Lannon Foundation, New Mexico; Moderna Museet, Sweden; Kröller-Müller Museum, The Netherlands and the School of the Art Institute of Chicago. -
Richard LongDust Dobros Desert Flowers, 1987Etching32.5 x 23 inchesEdition of 36Unsigned.
In the collection of The Lannon Foundation, New Mexico. -
Richard LongUntitled (Dust Dobros and Desert Flowers), 1987Etching28.5 x 22 inchesEdition of 6Signed -
Rinko Kawauchi4%, 2013Portfolio of 15 pigmented ink prints15 1/4 x 10 1/2 inches, eachEdition of 12 -
Rinko KawauchiUntitled, from the 4% series (butterfly), 2012Archival pigment print mounted to aluminum.13-1/8 x 19-5/8 inches.Edition of 2Signed and numbered by the artist on label adhered to mount on verso. -
Robert PolidoriCocoanut Grove Ballroom #2, The Ambassador Hotel, Los Angeles, CA, 2005, 2015Archival pigment printImage: 28 x 40 inches
Sheet: 32 1/4 x 44 inchesEdition of 7 plus 2 artist's proofs -
Robert PolidoriCocoanut Grove Control Room, The Ambassador Hotel, Los Angeles, CA, 2005, 2015Archival pigment printImage: 28 x 40 inches
Sheet: 32 1/4 x 44 inchesEdition of 7 plus 2 artist's proofs -
Robert PolidoriCoffee Shop #2, The Ambassador Hotel, Los Angeles, CA, 2005, 2015Archival pigment printImage: 28 x 40 inches
Sheet: 32 1/4 x 44 inchesEdition of 7 plus 2 artist's proofs -
Robert PolidoriHallway #1, The Ambassador Hotel, Los Angeles, CA, 2005, 2015Archival pigment printImage: 28 x 40 inches
Sheet: 32 1/4 x 44 inchesEdition of 7 plus 2 artist's proofs -
Robert PolidoriHotel Suite #1, The Ambassador Hotel, Los Angeles, CA, 2005, 2015Archival pigment printImage: 28 x 40 inches
Sheet: 32 1/4 x 44 inchesEdition of 7 -
Robert PolidoriLobby #1, The Ambassador Hotel, Los Angeles, CA, 2005, 2015Archival pigment printImage: 28 x 40 inches
Sheet: 32 1/4 x 44 inchesEdition of 7 plus 2 artist's proofs -
Robert TherrienNo Title (Stork), 1996InkjetImage: 23 3/4 x 23 3/4 inches
Sheet: 32 1/8 x 32 1/2 inchesEdition of 15 plus 10 artist's proofsIn the collection of the Fine Arts Museums of San Francisco.
SOLD OUT -
Robert TherrienHand Colored Prints (suite of 8), 1995Softground copper plate etching and silkscreen with mineral spirits, linseed oil and pencils on paper10 x 7.5 inches (each)Edition of 30 plus 4 artist's proofsSigned with artist initials and numbered in pencil at lower left, "RT 24/30" (each) -
Ruben OchoaSteel Life Porcelana, 2014Porcelain, steel wire with concrete base21 x 6-1/4 x 12 inchesEdition of 12 plus 3 artist's proofsIn the collection of the Los Angeles County Museum of Art and the University of California, Santa Barbara. -
Sam FrancisSelf-Portrait (SF 73-705), no dateWork on paper ink drawing.10 x 7-1/2 inches. -
Sam FrancisUntitled (SF 83-419), C. 1983Acrylic on paper19-1/8 x 15-1/2 inchesSigned as ink stamp on verso
The Sam Francis Estate Stamp on verso -
Sam FrancisUntitled (SF 81-1093), c. 1981-1986Watercolor on J. Annonay sketchbook paper19-1/2 x 14 inchesSigned as ink stamp on verso
The Sam Francis Estate Stamp on verso -
Sam FrancisUntitled (SF86-894), c 1986Drawing with black pen.14 x 11 inches. -
Sam FrancisSanta Monica (sf-90-150), 1990Watercolor on paper24 x 18 inchesSigned with ink stamp on verso
The Sam Francis Estate Stamp on verso -
Sam FrancisUntitled (SF 89-114), 1990Watercolor on paper.44-5/8 x 7 inches.Signed and dated on verso -
Sam FrancisUntitled (SF-309), 1987Lithograph30 x 47-3/4 inchesEdition of 30 plus 3 artist's proofsSigned in pencil on recto at lower right edge and numbered at lower left edge
The Litho Shop (The Lapis Press) chop at lower right edge -
Sam FrancisUntitled (SFE-017), 1984AquatintImage: 25-7/8 x 10-7/8 inches
Paper: 35 x 19 inchesEdition of 14 plus 3 artist's proofsSigned on recto under image at right, numbered under image at left
The Litho Shop (The Lapis Press) chop at lower right -
Sam FrancisUp and Down in Fall (SFE-019), 1984AquatintImage: 29-1/2 x 17 inches
Paper: 21-7/8 x 9-7/8 inchesEdition of 11 plus 2 artist's proofsSigned in pencil lower right margin, numbered lower left
The Litho Shop (The Lapis Press) chop at lower left -
Sam FrancisUntitled (SFE-012), 1983AquatintImage: 34-1/4 x 23-3/4 inches
Paper: 42 x 30 inchesEdition of 20 plus 5 artist's proofsSigned in pencil, lower right margin -
Sam FrancisSelf Portrait (SFE-304), 1982Copper plate etchingImage: 11-5/8 x 8-1/2 inches
Paper: 22 x 15 inchesEdition of 20 plus 10 artist's proofsSigned in pencil on recto, bottom right edge; numbered at bottom left corner.
3EP Ltd. and copyright chops at bottom left corner. Printer's chop, IK, at bottom right corner. -
Sam FrancisUntitled (SF-265), 1982Lithograph, aluminum plate42 x 30 inchesEdition of 25 plus 4 artist's proofsSigned in pencil on recto at bottom right edge, editioned at bottom left
The Litho Shop at bottom right corner -
Sam FrancisUntitled (SFE-700), 1982AquatintImage: 7-3/4 x 5-7/8 inches
Paper: 20-1/4 x 15 inchesEdition of 20Signed in pencil in recto at lower right margin, editioned at lower left margin below image -
Sam FrancisSelf Portrait (SFE-307), 1981Copper plate etchingImage: 2 x 4-1/4 inches
Paper: 15 x 11-1/8 inchesEdition of 20 plus 5 artist's proofsSigned in pencil lower right edge; numbered lower left
3EP Ltd. and copyright chops at bottom left corner. Printer's chop, IK, at bottom right corner.
SOLD OUT -
Sam FrancisUntitled (SF-207), 1976Lithograph30 1/4 x 22 1/4 inchesEdition of 30 plus 5 artist's proofsSigned in pencil on recto at lower right edge and numbered at lower left edge -
Sam FrancisUntitled (SF-208), 1976Lithograph33 × 25 1/2 inchesEdition of 30 plus 4 artist's proofsSigned in pencil on recto at lower right edge and numbered at lower left edge -
Sam FrancisUntitled (SF-209), 1976LithographImage: approx. 31-1/2 x 23 inches
Paper: 35-1/2 x 27 inchesEdition of 30 plus 4 artist's proofsSigned in pencil on recto at lower right edge and numbered at lower left edge
The Litho Shop (The Lapis Press) chop at lower right edge -
Sam FrancisUntitled (SF-211), 1976Lithograph28 × 36 1/4 inchesEdition of 30 plus 5 artist's proofsSigned in pencil on recto at bottom right edge and numbered at lower left edge -
Sam FrancisUntitled (SF-212), 1976Lithograph33 1/4 × 25 inchesEdition of 30 plus 4 artist's proofsSigned in pencil on recto at bottom right corner, editioned at left -
Sam FrancisUntitled (SF-239), 1976Lithograph27-1/4 x 41-1/2 inchesEdition of 10 plus 4 artist's proofsSigned in pencil on recto at lower left edge and numbered at lower right edge
The Litho Shop (The Lapis Press) chop at lower right edge -
Sam FrancisUntitled (SF-201), 1975Lithograph30 1/4 × 22 1/4 inchesEdition of 30 plus 5 artist's proofsSigned in pencil on recto at lower right edge and numbered at lower left edge -
Sam FrancisUntitled (SF-190), 1974Lithograph, aluminum plate27-1/4 x 44-1/2 inchesEdition of 30 plus 4 artist's proofsSigned in pencil on recto at bottom right corner, editioned at left
The Litho Shop (The Lapis Press) at bottom right corner -
Sam FrancisDark Plated (SF-187), 1973Lithograph25-1/2 x 34 inches
Edition of 30 plus 5 artist's proofsSigned in pencil on recto at bottom left edge and numbered at lower right edge -
Sam FrancisSelf Portrait (SF-012), 1973LithographImage: 15-3/4 x 11-3/4 inches
Paper: 26 x 20 inchesEdition of 15Signed and numbered lower right
The Litho Shop (Lapis) chop at lower right
SOLD OUT -
Sam FrancisSelf-Portrait (SF-050), 1973Lithograph41 x 29-1/2 inchesEdition of 20 plus 5 artist's proofsSigned in pencil on recto at bottom right edge, editioned at lower left edge
The Litho Shop (Lapis_ chop at lower right edge -
Sam FrancisSelf-Portrait (SF 73-705)Work on paper ink drawing10 x 7-1/2 inchesSigned in pencil lower right -
Sam FrancisUntitled (SF 00-27)Acrylic on paper17-7/8 x 11-7/8 inchesSigned as ink stamp on verso
The Sam Francis Estate Stamp on verso -
Sam FrancisUntitled (SF-01-139 AKA SF-91-139)Watercolor on Japanese paper12 x 8-7/8 inchesSignature stamps
The Sam Francis Estate Stamp on verso -
Sam FrancisUntitled (SF-85-667)Work on paper ink drawing8-5/8 x 8-1/4 inchesSigned as ink stamp on verso -
Sam FrancisUntitled (SF-85-699)Work on paper ink drawing10 x 8-5/8 inchesSigned as ink stamp on verso
The Sam Francis Estate Stamp on verso -
Stephen ShoreNew York, New York, 1974 [Barber Shop Window], 2023Archival pigment print, 3D lenticular lens, walnut frame20-1/4 x 18-1/4 x 4 inches (51.44 x 46.35 x 10.16 cm.)Edition of 5 plus 2 artist's proofsSigned and dated on signature label -
Stephen ShoreNew York, New York, 1974 [Kitchen Window], 2023Archival pigment print, 3D lenticular lens, walnut frame20-1/4 x 18-1/4 x 4 inches (51.44 x 46.35 x 10.16 cm.)Edition of 5 plus 2 artist's proofsSigned and dated on signature label -
Stephen ShoreQueens, New York, 1974 [Restaurant], 2023Archival pigment print, 3D lenticular lens, walnut frame20-1/4 x 18-1/4 x 4 inches (51.44 x 46.35 x 10.16 cm.)Edition of 5 plus 2 artist's proofsSigned and dated on signature label -
Stephen ShoreThe La Brea Matrix: Stephen Shore at Beverly and La Brea, 1975, 20112 Pigment prints on Harman Gloss Baryta 320 gsm in a handmade portfolio11 x 14 inches, each
SOLD OUTEdition of 30 plus 11 artist's proofsIn the collections of Museum of Fine Arts Houston, Texas; Getty Research Institute, Los Angeles; Los Angeles County Museum of Art; UCLA Grunwald Center for the Graphic Arts; Museum of Contemporary Art, Los Angeles -
Steven SteinmanDrive-By I, No. I, 2025Pigmented ink print on paper with hand applied carbon black acrylic ink, powdered pigment and sgraffito21-1/2 x 16-1/2 inchesEdition I of V Unique WorksSigned by the artist on recto and on signature label -
Steven SteinmanDrive-By II, No. I, 2025Pigmented ink print on paper with hand applied carbon black acrylic ink, powdered pigment and sgraffito16-1/2 x 21-1/2 inchesEdition I of V Unique WorksSigned by the artist on recto and on signature label -
Steven SteinmanDrive-By III, No. I, 2025Pigmented ink print on paper with hand applied carbon black acrylic ink, powdered pigment and sgraffito16-1/2 x 21-1/2 inchesEdition I of V Unique WorksSigned by the artist on recto and on signature label -
Steven SteinmanDrive-By IV, No. I, 2025Pigmented ink print on paper with hand applied carbon black acrylic ink, powdered pigment and sgraffito21-1/2 x 16-1/2 inchesEdition I of V Unique WorksSigned by the artist on recto and on signature label -
Steven SteinmanFly-By I, No. I, 2025Archival pigmented ink print on paper with hand applied titanium white acrylic ink31-1/2 x 14-1/2 inchesEdition I of V Unique WorksSigned by the artist on recto and on signature label -
Steven SteinmanFly-By II, No. II, 2025Archival pigmented ink print on paper with hand applied titanium white acrylic ink31-1/2 x 14-1/2 inchesEdition II of V Unique WorksSigned by the artist on recto and on signature label -
The La Brea Matrix IPre-Edition Portfolio: THE LA BREA MATRIX: Six German Photographers and a New Color Icon by Stephen Shore, 2009 : Pre-Edition Portfolio, 200931 Pigment prints in 6 handmade portfolios with slipcase11 x 14 inches, eachEdition of 30 plus 6 artist's proofsSOLD OUT -
The La Brea Matrix IITHE LA BREA MATRIX: Six German Photographers and a New Color Icon by Stephen Shore, 201030 Pigment prints in 6 handmade portfolios with slipcase11 x 14 inches, eachEdition of 30 plus 6 artist's proofs -
Todd GrayOther Tellings (Fontainebleau), 2025Two archival pigment prints17-1/4 x 23 inchesEdition of 40 plus 10 artist's proofsSigned on signature label by the artist
Published by The Los Angeles County Museum of Art (LACMA) for the 2025 Collectors Committee
Produced by The Lapis Press -
Valérie BelinWhite Narcissus in Orange (Colour Wonder), 2018Pigmented ink print on paper51-7/8 x 41-1/4 inchesEdition of 25 plus 3 artist's proofsSigned on label on Dibond verso, second label on frame verso.
In the collection of The J. Paul Getty Museum, Los Angeles. -
Vija CelminsUntitled (Web 1), 2001Mezzotint23 x 18 inchesEdition of 80 plus 12 artist's proofsPart of The MoCA Portfolio. Celebrating the 20th Anniversary of The Museum of Contemporary Art, Los Angeles.
In the collection of the Fine Arts Museums of San Francisco; Tate Modern,
London; and the National Galleries of Scotland.
EDITION IS SOLD OUT -
Vija CelminsUntitled (Web 2), 2001MezzotintImage: 7 x 7 3/4 inches
Sheet: 18 1/8 x 14 3/4 inchesEdition of 50 plus 10 artist's proofsSigned and numbered below the plate.
In the collection of the Fine Arts Museums of San Francisco; the Colby College Museum of Art, Maine; the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; Tate Modern, London; and the National Galleries of Scotland.
EDITION IS SOLD OUT
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