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Marina AbramovićChair for the Spirit Chair for Man, 1999Soft ground etching, aquatint, and chine collé
Image: 47 1/2 x 19 3/4 inches
Sheet: 55 1/2 x 26 3/4 inchesEdition of 21 plus 6 artist's proofsSigned and numbered lower right
In the collection of the Hood Museum at Dartmouth College, New Hampshire and the Davis Museum at Wellesley College, Massachusetts. -
Valérie BelinWhite Narcissus in Orange (Colour Wonder), 2018Pigmented ink print on paper51-7/8 x 41-1/4 inchesEdition of 25 plus 3 artist's proofsSigned on label on Dibond verso, second label on frame verso.
In the collection of The J. Paul Getty Museum, Los Angeles. -
Dario EscobarSin título, 2016Wood, urethane, and gold-plated steel36 x 8 1/4 x 4 inchesEdition of 18Signed, dated and numbered.
In the collection of the Los Angeles County Museum of Art. -
Martin PuryearUntitled, 1999Etching, aquatint, and chine collé27 x 32 inchesEdition of 40 plus 13 artist's proofsSOLD OUT
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Abelardo MorellAfter Hitchcock: Psycho. House. Tent-Camera Image, 2018, 2018Pigmented ink on Canson PlatineImage: 30 x 40 inches; Sheet: 38 x 48 inchesEdition of 10In the collection of the Los Angeles County Museum of Art (LACMA).
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Georg HeroldSurface, 2005Bricks on canvas, latex, acrylic64 x 64 x 8 inchesEdition of 4In the collection of the Los Angeles County Museum of Art.
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Alfonso Cuarón and Carlos SomonteRoma | Los Sobrevivientes [The Survivors], 2016Pigment print on Hahnemühle paperImage: 24 x 36 inches
Paper: 28 x 40 inchesEdition of 30 plus 6 artist's proofsPublished by Netflix, 2018
Profits from this edition will be donated to CACEH
In the collection of the Los Angeles County Museum of Art. -
Ed RuschaWEN OUT FOR CIGRETS N NEVER CAME BACK, 2017Cast bronze with hand applied patina19-3/4 x 2 inchesEdition of 40 plus 8 artist's proofsThe artist's signature, year and edition number incised on verso
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Jennifer SteinkampBotanic, 4, still frame 25, 2016Archival pigment print38 1/2 x 21 1/2 inchesEdition of 1In the collection of JPMorgan Chase Art Collection, New York
SOLD -
Daido MoriyamaColor , 2017Handmade portfolio of 8 pigmented ink prints, Epson Ultra Chrome K3 ink on Canson Baryta Photographique 310gsm paperEach print 12-3/4 x 18-1/2 inchesEdition of 10 plus 4 artist's proofs
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Kehinde WileySophie Arnould Study II, 2016Hand embellished pigment print on paper in artist's frameSheet: 21-1/2 x 14-1/2 inches
Frame: 27 x 20 x 1-3/4 inchesEdition of 30 plus 5 artist's proofsSigned, dated and numbered lower left in pencil.
In the collection of the Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, the Jordan Schnitzer Family Foundation, Portland, Oregon, and Creative Artists Agency Art Collection, Los Angeles.
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Kehinde WileyTomb of Pope Alexander VII Study I, 2016Hand embellished pigment print on paper in artist's frameSheet: 21-1/2 x 14-1/2 inches
Frame: 27 x 20 x 1-3/4 inchesEdition of 30 plus 5 artist's proofsSigned, dated and numbered lower left in pencil.
In the collection of the Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco and the Jordan Schnitzer Family Foundation, Portland, Oregon.
SOLD OUT -
Betye SaarA Handful of Stars, 2016Bronze with patina and walnut base7 x 3 x 2.5 inchesEdition of 18 plus 5 artist's proofsIn the collection of the Sheldon Art Museum, Nebraska, The International Sculpture Center, New Jersey, and the Los Angeles County Museum of Art (LACMA).
SOLD OUT
SOLD OUT -
Rinko Kawauchi4%, 2013Portfolio of 15 pigmented ink prints15 1/4 x 10 1/2 inches, eachEdition of 12
Art Los Angeles Contemporary 2020: Highlights of The Lapis Press editions and archive
Past exhibition