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GAL CHEWS GUM by Ed Ruscha

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GAL CHEWS GUM by Ed Ruscha is a bronze edition that combines multiple aspects of Ruscha's iconic vision into a single form: text, signage and shadows. The sculpture is fabricated using the ancient lost wax method of bronze casting that dates back to the 3rd millenium BC. The bronze conjures a weathered road sign or billboard flashing the words "GAL CHEWS SAME PIECE OF GUM SINCE 1970".
  • The Making of GAL CHEWS GUM video
  • The Making of GAL CHEWS GUM digital book
  • The Patina Process for GAL CHEWS GUM video
  • Ed Ruscha GAL CHEWS GUM, 2019 - 2021 Cast bronze with hand applied patina 14.25 x 20 x 4.25 inches...
    Photo: Joshua White Photography
    Ed Ruscha
    GAL CHEWS GUM, 2019 - 2021
    Cast bronze with hand applied patina
    14.25 x 20 x 4.25 inches
    Edition of 40

     

    GAL CHEWS GUM speaks to several eras of Ruscha's practice in creating something simultaneously nostalgic, droll and modern. The phrase, "GAL CHEWS SAME PIECE OF GUM SINCE 1970" recalls images of small-town roadside attractions or local news headlines. Ruscha once said, "I'm dead serious about being nonsensical." Although this statement might initially read like an off-handed quip, it is highly representative of his practice. His ability to stir the viewer's imagination with a suggestive or illusive choice of words allows for both a conceptual and visual experience that leaves room for interpretation.

  • 'I'm interested in glorifying something that we in the world would say doesn't deserve being glorified. Something that's forgotten, focused...
    Photo: Joshua White Photography

    "I'm interested in glorifying something that we in the world would say doesn't deserve being glorified. Something that's forgotten, focused on as though it were some sort of sacred object." - Ed Ruscha

    Variations of this text has appeared twice in Ruscha's previous works, indicating his ongoing fascination with the phrase. In this edition, the viewer's three-dimensional experience with the text varies depending on placement of the sculpture, light sources and the space it inhabits. As the light source or vantage point changes, the phrase is legible or obscured as the cut-out words are filled and activated by whatever exists behind them.
  • The base of GAL CHEWS GUM is cast from a metal ingot with a textured surface that stands in contrast...
    Photo: Joshua White Photography
    The base of GAL CHEWS GUM is cast from a metal ingot with a textured surface that stands in contrast to the smooth, refined face of the sign. A basic component used in metal work, construction and manufacturing, the ingot's raw form exists in tension with the linear precision of the sign.
  • Ideation

    Through various rounds of collaborating and experimenting with materials, the concept for the final result was conceived.
    The initial maquette for GAL CHEWS GUM. (Larger version of this image opens in a popup).
    Ed Ruscha looking at materials in his studio. (Larger version of this image opens in a popup).
    A sampling different finishes. (Larger version of this image opens in a popup).
    Ed Ruscha at The Lapis Press with an early models of the plate. (Larger version of this image opens in a popup).
    An early model of the base. (Larger version of this image opens in a popup).
    Ed Ruscha looking at samples at The Lapis Press. (Larger version of this image opens in a popup).

    The initial maquette for GAL CHEWS GUM.

  • The Foundry

    The first step in bringing this edition to life is pouring the bronze into a custom mold. Each cast requires precision and complete stillness in order to prevent air bubbles from forming.

    Molten bronze before it is poured into the cast. (Larger version of this image opens in a popup).
    Retrieving the empty cast from the furnace. (Larger version of this image opens in a popup).
    Pouring the bronze into the cast. (Larger version of this image opens in a popup).
    One of the custom casts made for the edition. (Larger version of this image opens in a popup).
    The bronzes in various phases of cooling. (Larger version of this image opens in a popup).
    The cooled plate is sanded until it has a smooth, even surface. (Larger version of this image opens in a popup).
    A comparison of the bronze before it is sanded and after the first layer of sanding. (Larger version of this image opens in a popup).

    Molten bronze before it is poured into the cast.

  • The Water Jet

    Once the process at the foundry is complete, the plates are water-jetted, where the letters are individually cut from the metal plate using high-pressure water.
    Ed Ruscha observing the water jet process. (Larger version of this image opens in a popup).
    High-pressure water cuts each letter out of the metal. (Larger version of this image opens in a popup).
    The computer feeds the cutting directions to the machine. (Larger version of this image opens in a popup).
    The plates after going through the water jet. (Larger version of this image opens in a popup).
    Bronze scraps from the metal plates. (Larger version of this image opens in a popup).

    Ed Ruscha observing the water jet process.

  • Patina

    Next, the sculptures undergo a customized patina process specifically developed for this edition.
    The sculpture before the patina. (Larger version of this image opens in a popup).
    The metal has to be sanded down to create an even surface for the patina. (Larger version of this image opens in a popup).
    The sculpture after being sanded. (Larger version of this image opens in a popup).
    The first round of patina is applied. (Larger version of this image opens in a popup).
    The final round of patina is applied. (Larger version of this image opens in a popup).
    The base of the sculpture with the artist's signature and edition details engraved. (Larger version of this image opens in a popup).
    The sculpture after the patina is complete. (Larger version of this image opens in a popup).

    The sculpture before the patina.

  • The Final Result

    The Final Result

    Once the patina process is completed, the sculptures are brought to The Lapis Press. Each sculpture is presented in a custom, handmade wood box with a colophon page.
  • The Making of GAL CHEWS GUM

    Please enjoy this short process video.
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8563 Higuera Street | Culver City, California 90232 
Telephone: +1-310-558-7700 | Email: studio@lapispress.com

 

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